Waldy and Bendy go gaga over the Royal Collection, and things go from baaaad to worse when they try to select the best sheep in art.
Waldy and Bendy take a pop at Hogarth and discuss what it’s like to visit galleries again as the lockdown eases. In On the Wall, Bendy goes for a stolen painting while Waldy goes for a heap of old instruments.
Waldy & Bendy interview the director of the National Gallery and ask why the museums are taking such a long time to reopen. Then they hand out the prestigious Waldy & Bendy Award for the Worst Painter of Children in art.
Waldy and Bendy go head to head, arguing over whether British art is actually any good. And the Wendy Awards return, this time handed out to the best painters of children.
Waldy & Bendy talk to Damien Hirst about the impact of the lockdown and fall in love with Gainsborough. Bendy chooses a picture to hang on his wall that is famous for its wart, while Waldy goes for something bigger. Much bigger.
Waldy and Bendy discuss iconoclasm and choose ‘the world’s worst museum website’. In On The Wall, Bendy goes for a landscape and Waldy goes for a VW camper van!
Waldy & Bendy wade into the Pre-Raphaelites and then hand out the first Wendies – the Waldy & Bendy Awards for the best museum websites. With big winners and even bigger losers!
We talk to Grayson and Philippa Perry about their TV Art Club and ask who wears the trousers in their relationship? We also discuss The Royal Academy and Malcolm Gladwell’s podcast ‘The Lady Vanishes’. Plus Waldy gets in touch with his Polish roots!
Tate Modern ought to be celebrating its 20th birthday, but the party had to be called off. So Waldy and Bendy throw their own party. Bendy also has a go at curating and Waldy picks Gustav Klimt’s gorilla as his painting of the week.
Why are celebrities grabbing their paint brushes during the Great Lockdown, and what exactly is the elusive art movement they call Mannerism? Plus Waldy’s self-portrait as Philip Guston.
Rubens divides opinions. But can he divide Waldy & Bendy? Also, a lockdown interview with Tracey Emin and why Bendy wants a Holbein.
This week – Artemisia Gentileschi. Is she as good as everyone says? We also review Grayson Perry’s new TV art show and discuss why picture restoration has suddenly become such a popular topic.
What do we think of Caravaggio, and can bad people be good artists? Also, a lockdown interview with the director of the Wallace Collection.
Why are we so obsessed with Leonardo da Vinci, and a virtual tour of the Rijksmuseum in Amsterdam.
This week Bendy will be opining about the controversial museum practice of ‘deaccessioning’ and I’ll be asking why Gauguin was such a great painter of children.